احمد بشیر کی مکتوب نگاری
Ahmad Bashir’s Maktoob Writing
DOI:
https://doi.org/10.56276/zme02w16Keywords:
Ahmad Bashir, Journalist, Literary Icon, Sketch-Writing, Novel-Writing, Editorial-Writing, TruthfulnessAbstract
Ahmad Bashir was a renowned journalist and a literary icon of Urdu. He wrote essays/articles and columns equally in English and Urdu. Among the several of his journalistic and literary facets, sketch-writing, novel-writing, and editorial-writing are worth-mentioning. He got an education in filmmaking in America, and then started filmmaking and directing in Pakistan. He produced a few documentaries, and made the first and the last to date belly film of Pakistan, "Chirree Kahaani" that achieved an award in the belly film festival of Iran. He chose journalism to make his livelihood, and learnt journalism from Charagh Hassan Hassrat in the daily "Amroz". He was called the founder of Urdu feature-writing. He wrote his debut feature on Gaamma Pehalwaan. After the daily "Amroz", he started writing for the weekly "Qandeel". He never stuck long to a newspaper owing to his truthfulness and ideological thoughts. He exhibited his writing power, along with editorial writing, in both English and Urdu journals and newspapers like: "Chataan", "Lail-o-Nahaar", "Nawa-e-Waqt", "Jang", "Musawaat", "Friday Times", "The Muslim", "The Star", "The News" and "Frontier Post". His last writing, featuring the journalistic, political, analytical and ideological characteristics, continued to be published in the monthly "Naya Zamaana" from Lahore. His style held truthfulness and candidness. He had to write under different false names due to the atrocities of the government. He adopted the names of Bhulley Shah, Shah Anyat and Ahmad Khan Kharal for this purpose. He never let the journalistic and literary values fall prey to worldly strategies and impurities. He was a staunch socialist and flag-bearer of social justice.
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1. Muz̤affar ʻĀlam Jāvīd, Miʻyārī Urdū K̲h̲aṭ-o-Kitābat (Lāhore: Amīn Book Depot, 1984), 22.
2. Aḥmad Bashīr, K̲h̲at̤oñ Meñ K̲h̲ushbū, compiled by Nīlam Aḥmad Bashīr (Lāhore: al-Faiṣal Publishers, 2006), 65.
3. Ibid., 69.
4. Ibid., 60.
5. Ibid., 59.
6. Ibid., 58.
7. Ibid., 59.
8. Ibid., 48.
9. Ibid., 20.
10. S̤āliḥah ʻĀbid Ḥusain, "Pesh Lafz̤," in Āvāz-i Dost (New Delhi: Adab Publications, 1994), 2.
11. Maḥmūdah Aḥmad Bashīr, "Do Taḥrīreñ," in Maiñ Aur Aḥmad Bashīr (Lāhore: Sang-i Mīl Publications, 2016), 21.
12. Ibid., 55.
13. Aḥmad Bashīr, K̲h̲at̤oñ Meñ K̲h̲ushbū, 67.
14. Ibid., 45.
15. Ibid., 62.
16. Ibid., 81.
17. Ibid., 82–83.
18. Ibid., 84.
19. Mullā Ramūzī’s Urdu is referred to as "Gulābī Urdū" in column writing.
20. Aḥmad Bashīr, K̲h̲at̤oñ Meñ K̲h̲ushbū, 87.
21. Ibid., 95.
22. Ibid., 96.
23. Ibid., 160.
24. Ibid., 220.
25. Ibid., 223.
26. Ibid., 223.
27. Ibid., 96.
28. Ibid., 162.
29. Muḥammad Salīm, Dr., Shiblī Nuʻmānī: Ḥayāt o Taṣānīf (Lāhore: Majlis-i Taraqqī-yi Adab, 2015), 166.
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Copyright (c) 2023 Dr. Muhammad Riaz Ahmad (Riaz), Dr. Farah Abid, Dr. Nadia Anjum (Author)

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