تصوف، سائنس اور عرفان کے حوالے سے ڈراما "من چلے کا سودا" کا جائزہ

Critical Appreciation of “Man Chlay Ka Souda” In the Light of Mysticism, Enlightenment and Science

Authors

  • Dr. Muhammad Jamil Ahmad Barvi Assistant Professor, Department of Urdu, Punjab College, Islamabad Author
  • Dr. Qaisar Aftab Ahmad Assistant Professor, Department of Urdu, University of Sialkot, Sialkot Author

DOI:

https://doi.org/10.56276/zy8qpe19

Keywords:

Manchalay Ka Souda, Enlightenment, Science, Mysticism, Criticism, Dilemma, Metaphysics

Abstract

Ashfaq Ahmed is undoubtedly recognised amongst those drama artists whose dramas are believed to be very good based on their technicalities and thoughts depicted in the plays. The plot of “Man chalay ka Souda” is based on the self-awakening enlightenment of God to man, and Science as these are the realities of man. The actual dilemma of man is not the curses like hunger, poverty, ignorance, sentiments, and disease; actually, it is the self-enlightenment,t which is the actual tragedy faced by man when he was born. Why is he suffering in life as a whole? Every problem is because he has not died yet, etc.

Downloads

Download data is not yet available.

References

1. Sayyid Aḥmad Dihlavī, *Farhang-e Āṣafiyyah*, vol. 1 (Lahore: Markazī Urdū Board, 1977), 410.

2. Dr. ʻAbdulmajīd Maimon, *Pākistān Meṉ Ṣūfiyānah Taḥrīkeṉ* (Lahore: Sang-e-Meel Publications, 2000), 6.

3. Ashfāq Aḥmad, *Man Chale Kā Saudā* (Lahore: Sang-e-Meel Publications, 2013), 6.

4. Sayyid Naẓīr Niyāzī, trans., *Tashkīl-e Jadīd-e Ilāhiyāt-e Islāmiyah* (Lahore: Bazm-e Iqbāl, 2010), 192.

5. Aḥmad, *Man Chale Kā Saudā*, 56.

6. Ibid., episode 3, scene 3, 25.

7. Niyāzī, *Tashkīl-e Jadīd-e Ilāhiyāt-e Islāmiyah*, 192.

8. Aḥmad, *Man Chale Kā Saudā*, 204.

9. Niyāzī, *Tashkīl-e Jadīd-e Ilāhiyāt-e Islāmiyah*, 192.

10. Aḥmad, *Man Chale Kā Saudā*, 35.

11. Niyāzī, *Tashkīl-e Jadīd-e Ilāhiyāt-e Islāmiyah*, 192.

12. Aḥmad, *Man Chale Kā Saudā*, 59.

13. Niyāzī, *Tashkīl-e Jadīd-e Ilāhiyāt-e Islāmiyah*, 198.

14. Dr. Ḥafīẓurraḥmān Siddīqī, *Sā’ins Kā Irtiqā’* (Islamabad: Sarmāyah-e Urdū, National Book Foundation, n.d.).

15. Aḥmad, *Man Chale Kā Saudā*, 36.

16. Ibid., 236.

17. Prof. Samīʻullāh Quraishī, *Tashkīl-e Mauẓūʻāt-e Fikr-e Iqbāl* (Lahore: Iqbal Academy, 1996), 78.

18. Niyāzī, *Tashkīl-e Jadīd-e Ilāhiyāt-e Islāmiyah*, 22.

19. Aḥmad, *Man Chale Kā Saudā*, 241.

20. Ibid., 20.

21. Ashfāq Aḥmad, *Bābā Ṣāḥibā* (Lahore: Sang-e-Meel Publications, 2010), 230.

22. Aḥmad, *Man Chale Kā Saudā*, 101.

23. Maulānā ʻInāyatullāh Wāris̲ī, *Taz̲kīr Bi-Ayyām-il-Allāh* (Islamabad: Muqtadirah Qaumī Zabān, 1998), 71.

24. Aḥmad, *Man Chale Kā Saudā*, 101.

25. Ibid., 107.

26. Ibid., 170.

27. Ibid., 60.

28. Ibid., 134.

29. Ibid., 111.

30. Ibid., 204.

31. Ibid., 107.

32. Aḥmad, *Bābā Ṣāḥibā*, 485.

33. Aḥmad, *Man Chale Kā Saudā*, 67.

34. Ibid., 69.

35. Ibid., 235.

Downloads

Published

28-12-2023

How to Cite

تصوف، سائنس اور عرفان کے حوالے سے ڈراما "من چلے کا سودا" کا جائزہ: Critical Appreciation of “Man Chlay Ka Souda” In the Light of Mysticism, Enlightenment and Science. (2023). TAṢDĪQ, 5(2), 60-73. https://doi.org/10.56276/zy8qpe19