مجید امجد کے فکروفن پر مغربی اثرات کا جائزہ

Western Poetic Influences on Majeed Amjad's Poetry

Abstract

Majeed Amjad is a great 20th-century poet who primarily loved his fellow humans and expressed this love through his account of deep affection for nature. His poetic grandeur has long been denied, and his artistic status has not been acknowledged as he deserved, yet he continued working his own way. Despite facing serious financial hardships, he utilised his artistic abilities aptly and stamped an indelible shadow of his artistic self on Urdu Literature that will remain with it till the point in time this literature will exist. Majeed Amjad, who had been ignored through the efforts of belittling, received strong impressions of what was all around him and was also influenced by the poets and literary artists of the West. As a result of it, he produced such works of art that are apparently seen as derived from Western artistic canon. Despite Western influence, his work stands alone as of independent stature without any blame of plagiarism or even of flat production of copying foreign content.

          The present work will investigate Western influence and its imprints upon the poetry of Majeed Amjad, and we will try to understand those nooks and corners of his poetry which are not much known to a systematic critical investigation to date. This research, hence, will open up new pathways for fresh researchers who would invest their critical insight into Amjad’s such poetic interpretations of Amjad that have remained on the surface. Through the present research, we will try to introduce a renewed Majeed Amjad who, despite being influenced by the Western artistic tradition, remained successful in establishing his own independent artistic identity. In our present investigative attempt, we will also explore his artistic independence by looking at whether he was successful or not in establishing his own voice even after absorbing Western influence. This research will primarily engage with such questions for the consequent debate in the analytical chapters. Hence, after critically looking at Western poetic influence on Amjad’s work, this research will introduce the reader to a new Majeed Amjad who had a unique identifying accent that had been unknown till now.