مقدمہ از فرانزکافکا:تجزیاتی مطالعہ
Trial by Franz Kafka: Analytical Study
DOI:
https://doi.org/10.56276/tasdiq.v4i02.128Keywords:
Franz Kafka, Existentialism, Corrupt bureaucracy, English Novel, The Metamorphosis, The Trial, The Castle, Kafkaesque, Mysterious, Court, JudiciaryAbstract
Franz Kafka was a prominent literary figure in 20th century of European literature. Franz Kafka has been called everything from a modernist to an existentialist, a fantasy writer to a realist. His work almost stands alone as its own subgenre, and the adjective ‘Kafkaesque’ – whose meaning, like the meaning of Kafka’s work, is hard to pin down- has become well-known even to people who have never read a word of Kafka’s writing. Perhaps inevitably, he is often misinterpreted as being a gloomy and humourless writer about nightmarish scenarios, when this at best conveys only part of what he is about. He was brought up in a middle-class German family. He wrote many novels on different themes. “The trial” is one of them. It was written in 1914 and was published posthumously in 1925 in the German language. It was translated into English by Willa and Edwin Muir in 1937. It is his best-known work. It is the story of Joseph K, a respectable bank officer, who is arrested by an inaccessible authority, although he has done nothing wrong. One year later, two warders come again for K. They take him to a quarry outside of town and kill him in the name of the law. Through the struggle of that specific character, he criticised the modern bureaucracy. It is also described as an existentialist novel because it represents the absurdity of the world and the nightmare of intersubjectivity. In this article, the above-mentioned themes are discussed with proper references.
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1. Nayyar Mas‘ūd, Kāfkā ke Afsāne. Karāchī: Āj, 2009, p. 7.
2. Rukhsānah Parvīn, Jadīd Urdū Afsānah: S̱aqāfatī Isti‘māriyat aur Muzāḥimatī Raviyye, mashmūlah S̱aqāfatī Shanāḳhat aur Isti‘mārī Bayāniye, murattib: Dr. Sajjād Na‘īm. Lahore: Fiction House, 2021, p. 99.
3. Muḥammad ‘Āṣim Buṭṭ, Kāfkā Kahāniyāṅ. Islāmābād: National Book Foundation, 2013, p. 20.
4. Biographical note on Dora Diamant (not a formal reference):
Dora Diamant was a close companion of Franz Kafka, originally from Poland. Their first meeting took place in 1923, when Kafka, due to his deteriorating health, was staying in the Baltic coastal town of Müritz. When Kafka visited the “Berlin Jewish People’s Home,” he saw Dora working in the kitchen, cutting fish. Struck by the contrast, he spontaneously remarked, “Such delicate hands — and such hard work.” Their relationship continued until the final days of Kafka’s life.
5. Franz Kafka, Muqaddamah, mutarjim: Manẓūr Aḥmad. Lahore: Fiction House, 2019, p. 272.
6. ibid, p. 22.
7. ibid, p. 253.
8. ibid, p. 93.
The novel’s use of similes, metaphors, symbols, and imagery—including visual, auditory, and tactile forms—can also be examined in detail. These devices help illuminate the protagonist’s suffering, as well as the specific psychological and emotional states that shape his experience. However, such an exploration requires a separate, dedicated study. To avoid unnecessary length, this aspect has been mentioned only briefly here.
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Copyright (c) 2022 Dr. Sumaira Akbar, Dr Abdul Aziz Malik, Dr Rabia Sarfraz (Author)

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