تخلیق ِ شعر میں حسیاتی تفاعل
The Sensuous Interaction in Poetic Process
DOI:
https://doi.org/10.56276/tasdiq.v5i01.140Keywords:
Senses, Creative Process, Sensuous Interaction, Sensuous Formulations, Poetic Intuition, Interaction, Poetic ProcessAbstract
This article strives to discover the invisible aspects of the poetic process, especially the sensuous functionality and interaction in the creation of the poetic verse under the designed title, “The sensuous interaction in the poetic process.” It makes a powerful impression on the style and process of poetic expressionism. Every poetic verse is the result of the long, innovative, intuitive, and aesthetic sensuous phenomenon, which has been strived to be revealed in this article. To illustrate, the ample number of poetic couplets has been quoted with a highly developed elaboration, which exhibits a remarkable critique approach. This article is a key attempt to explore the novel persuasiveness and cogency within the pretext of sensuousness, used in the formulation of poetry on the account of poets’ examples.
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References
1. Ted Hughes, Poetry in the Making: Listening and Writing (London: London Publishers, 1997), 34.
2. Dr. Allama Iqbal, Kulliyat-i Iqbal (Urdu) (Lahore: Iqbal Academy, 2014), 261.
3. Mirza Asadullah Khan Ghalib, Divan-i Ghalib (Lahore: Sang-e-Meel Publications, 2013), 141.
4. Ibid., 89.
5. Ibid., 123.
6. Ibid., 56.
7. Ibid., 16.
8. Ibid., 209.
9. Satyapal Anand, Zarnigar, no. 14–15 (Faisalabad: Zarnigar Book Foundation, 2015–2016), 213.
10. Sarwar Khan, "Niqat, no. 3," ed. Qasim Yaqub (2016), 166.
11. Jaun Elia, Shayad (Karachi: Elia Academy, 1991), 89.
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Copyright (c) 2023 Dr Sadia Irshad, Dr Sadaf Naqvi (Author)
This work is licensed under a Creative Commons Attribution 4.0 International License.
