نیر مسعود کا جہانِ تکنیک
Nayyar Masood Ka Jahan-E- Technique
DOI:
https://doi.org/10.56276/tasdiq.v7i1.10Keywords:
Diversity, Prose, Techniques, Short story, Nayyar MasoodAbstract
Nayyar Masood is an expert and avid storyteller. He belongs to the tribe who have created a style that cannot fail to captivate the reader by combining the ancient and modern styles of storytelling. There is a special diversity in his style and techniques. Along with his excellent similes and detailing, he also uses different techniques in those details where he surprises the reader. Where he has narrated the story with the narrative technique, he has also created a rarity in it by giving a new twist to the story with flashback foreshadowing and dialogue techniques. He does not limit himself to just one technique in the story but uses several techniques together. Sometimes he works the magic of circular and montage techniques with flashback and sometimes he embellishes different themes with scenography, surrealism and magical realism. Different moral values, changing civilization, memories of the past and the mystery of life have been described in a very different but familiar way. The magical atmosphere in the story affects the reader a lot and this element speaks loudly in the case of Nayyar Masood. This magic is transformed into mystery through the use of hallucinations, which binds the reader from all sides as if a fence of an unseen object has been built around him.
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References
1. Nayer Masood: "Majmua Nayer Masood" Sang-e-Meel Publications, Lahore, 2015, pg. 15
2. Ibid. Pg. 22
3. Nayer Masood: "Ganjfa" Tamsal, Lucknow, 2nd Edition 2009, pg. 194
4. Nayer Masood: "Majmua Nayer Masood" pg. 312
5. Mumtaz Shereen: "Taqneeq ka Tanav Novel aur Afsane mein" Urdu Writers Guild, Allahabad, 1997, pg. 9
6. Nayer Masood: "Majmua Nayer Masood" pgs. 327–328
7. Ibid. Pg. 301
8. Nayer Masood: "Ganjfa" pg. 183
9. Nayer Masood: "Majmua Nayer Masood" pgs. 54–55
10. Ibid. Pg. 12
11. Ibid. Pg. 15
12. Ibid. Pg. 18
13. Ibid. Pg. 34
14. Nayer Masood: "Ganjfa" pg. 7
15. Ibid. Pg. 9
16. Nayer Masood: "Majmua Nayer Masood" pg. 34
17. Ibid. Pg. 35
18. Ibid. Pg. 312
19. Ibid. Pg. 176
20. Ibid. Pg. 178
21. Nayer Masood: "Ganjfa" pg. 183
22. Ibid. Pg. 198
23. Ibid. Pgs. 193–194
24. Ibid. Pg. 198
25. Nayer Masood: "Majmua Nayer Masood" pgs. 37–38
26. Ibid. Pg. 61
27. Ibid. Pgs. 28–29
28. Ibid. Pg. 55
29. Ibid. Pg. 58
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Copyright (c) 2025 Hafiz Muhammad Awais (Author)

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